Michael Coleman, a struggling writer battling severe writer’s block, is racing to finish his second novel, an 1880s Western. As pressure mounts, he hits rock bottom, losing his girlfriend and his creative spark. In a surreal twist, his novel’s protagonist, outlaw Eli West, comes to life in modern-day Los Angeles. He is followed by the villainous sheriff Morgan Ambrose. As the two wreak havoc and form an unexpected romantic bond. Michael must wrangle his creations, confront his personal turmoil, and meet his looming deadline.

Gabriel, a professor of philosophy and logic of night school, which runs through marital problems, and that when he meet a new young student who suddenly disappear after she closer to the prophetic drawings of Benjamin Solari Parravicini, will be immersed in trying to understand the meaning of these drawings, embarking with his cousin Tony, a story of suspense, intrigue and drama.

A collection of gay short films. The 6 short films are: VGL-Hung! (2007); Dear Parents, [Mes chers parents,] (2005); Into the Night (2002); Groucho (2007); Sissy Frenchfry (2006); Two Nights (2006).

刑警大队队长齐宝根因1988年金额巨大的抢劫杀人案,为守护真相与正义，不惜长期蛰伏,半生只做一件事，与把嫌疑人沈卫东开展了一场长达二十 　　年的“猫鼠游戏”的信念追逐。

刑警大队队长齐宝根因1988年金额巨大的抢劫杀人案,为守护真相与正义，不惜长期蛰伏,半生只做一件事，与把嫌疑人沈卫东开展了一场长达二十 　　年的“猫鼠游戏”的信念追逐。

http://www.youtube.com/watch?v=hUcvhGJFexc 　　7 min

http://www.youtube.com/watch?v=hUcvhGJFexc 　　7 min

The attempt to accompany the creative process (with the inevitable difficulties and silences) of five women-dancers-choreographers, in their experience of creating a work of dance theater.

暂无剧情简介

Film's title roughly translates as "window lookers, garbage, etc." Kren juxtaposes blocks of images in montage sections cut to different rhythms and speeds. The "window lookers" - old people who rest elbows on pillows at windows - view the activities on the streets below: this action begins and ends the film and is repeated within the work many times. There are also sections depicting debris and broken glass, pedestrians, and positive and negative images of the moon. Splice marks, especially during the window scenes, are apparent, punctuating the silent work and reminding us of the film. While we may make associations among the image clusters, there is no narrative per se, and the rapid cutting purposefully undercuts any emotional expressiveness the material might contain.